ps

Through a summer of job transitions, art festivals, and over-extending ourselves with Slow Food, this blog has been pretty quiet. To get back into a rhythm, it's probably a good idea to look back, but, since I'm not overly ambitious, I won't be looking back very far.

Earlier this week, I walked over with a few of my co-workers to visit a pop-up publishing house. Publication Studio, the brainchild of Matthew Stadler and Patricia No, has squatted in the Ace Hotel Cleaners, where they are cranking out small-run novels and books. So far, they've published a catalog for a local gallery show, two short debut novels, and an annotated urban planning reader. When my work descended on the studio en masse, we bought them out of their day's printing of Lawerence Rinder's thinly-veiled fiction about his time as a curator at the Whitney. I guess working at an arts organization has made us predictable

It's true that I love a good book project, but I also love a good machine. To publish their on-demand books, the PS team has a high-speed duplex printer, a paper trimmer, and - to seal the deal - a perfect binder. I could watch this dreamy little video all day:

Publication Studio Makes A Book from Mike Merrill on Vimeo.

So far, I've been really impressed by what PS has released, and they already have exciting projects lined up through fall. In late October, they'll be participating in the 2009 Amsterdam Biennale, a decentralized art fair with satellite pavilions operating around the world. Portland's contingent will print a collection of single-run artist books, including some by two of my friends and co-workers. I'll certainly try to attend kick-off party on the 24th, with on-the-spot collaborative writing and early-morning gin. It's good to know that some (more creative) parts of the publishing industry still have a reason to celebrate.